None of us are truly good, most of us aren’t particularly trying. But there are good actions, good intentions. I’ve been wrestling with how to write about them without making them boring or schmaltzy. (not for this current story, but perhaps for the next) Marillyne Robinson does it. And possibly, on a lighter scale, so does Alexander McCall Smith. The TV show Rev manages it too, I think.
There’s an easy fix: the complicated character who does something good. My daughter wanted her nose pierced recently and, because we were on holidays and I, apparently, had made a vague promise in the past, we ended up following Google to the nearest available place. Me, with the articulated thought that if we didn’t like the look of wherever it was we were heading, we didn’t have to go in.
100 metres north, up in a dodgy lift, and we came to a small shop. We were greeted by a woman with multiple piercings (no surprise), wearing a goat’s head ring, a goat’s head necklace and a T-shirt which read something like Drink Coffee and Worship Satan.
I smiled and handed my youngest child over to her. And, as it turned out, she was the most helpful, reassuring, patient body piercer (if that’s the correct term) I have ever encountered.
So that, or something like it, was an easy story.
But we are so drawn to the bad, to the outre, to the shocking, that everything else is so easily passed over. And to be deeply good is profoundly difficult. A life’s calling and never attained. Perhaps the writing of it should be equally difficult. I will let my subconscious cogitate some more.
(The view from my hairdresser’s car park.)